2. Pawel Pawlikowski’s “Ida” is another kind of coming-of-age story, a retrospective consideration of girlhood in Poland in 1962. With breathtaking concision and clarity — 80 minutes of austere, carefully framed black and white — Mr. Pawlikowski penetrates the darkest, thorniest thickets of Polish history, reckoning with the crimes of Stalinism and the Holocaust. But the heart of the movie lies in the performances of Agata Trzebuchowska, as a young novice learning the truth about her family’s past and Agata Kulesza as her cynical aunt, part of the country’s Communist elite.
2.保羅·帕夫利克夫斯基(Pawel Pawlikowski)的《修女艾達(dá)》(Ida)是另一種類型的成長故事,是對(duì)1962年在波蘭度過的少女時(shí)代的懷舊思緒。影片長80分鐘,是一部精心取景,風(fēng)格簡樸的黑白片,有著激動(dòng)人心的簡潔與清晰,帕夫利克夫斯基到深入波蘭歷史最黑暗、最痛苦的錯(cuò)綜狀態(tài)中去,直面斯大林主義與納粹大屠殺的罪行。但影片的核心還在于阿伽塔·特澤布霍夫斯卡(Agata Trzebuchowska)的表演,她飾演的年輕見習(xí)修女從家族的過去中了解真相,阿伽塔·庫萊沙(Agata Kulesza)飾演她憤世嫉俗的阿姨,某種程度上是這個(gè)國家的共產(chǎn)黨精英分子。