新東方權(quán)威解析2013年5月11日托福閱讀考題

第三篇：olmec civilization

講解了奧爾梅克文明的建筑與藝術(shù)。農(nóng)商業(yè)的發(fā)展給藝術(shù)發(fā)展創(chuàng)造了合適的土壤。文章用大篇幅介紹了olmec civilization藝術(shù)的細(xì)節(jié)與特點(diǎn)。最后，olmec藝術(shù)的影響深遠(yuǎn)，包括maya在內(nèi)文明的拉美文化深受其影響。

解析：

the first elaborate pre-Columbian culture of Mesoamerica, and one that is thought to have set many of the fundamental patterns evinced by later Indian cultures of Mexico and Central America.

The Olmec people lived in hot, humid lowlands along the Gulf Coast in what is now southern Veracruz and Tabasco states in southern Mexico. The first evidence of their remarkable art style appears at about 1200 BC in their oldest known building site, San Lorenzo. This site is remarkable for its many stone monuments, prominent among which are colossal carved heads that have characteristic flat faces and helmetlike headgear. In the late 20th century, a stone slab engraved with symbols that appear to have been the Olmec writing system was discovered in the village of Cascajal, near San Lorenzo. The Cascajal stone dates to approximately 900 BC and may be the oldest example of writing from the Americas. A later Olmec ceremonial centre, La Venta, is marked by great mounds, a narrow plaza, and several other ceremonial enclosures. In the 21st century, inscribed carvings suggestive of later Mayan glyphs also were found at La Venta.

large buried mosaic “pavements” created from serpentine blocks

Front and side views of Colossal Head 1 now located at Museo de Antropología de Xalapa in Xalapa, Veracruz. This head dates from 1200 to 900 BCE and is 2.9 meters high and 2.1 meters wide.

The Olmecs developed a wide trading network, and between 1100 and 800 BC their cultural influence spread northwestward to the Valley of Mexico and southeastward to parts of Central America. It is clear that later Mesoamerican native religions and iconography, from all parts of the area, can be traced back to Olmec beginnings. Besides monumental architecture and sculpture, Olmec art is expressed in small jade carvings, pottery, and other media. Its dominant motif is the stylized figure of a god that is a hybrid between a jaguar and a human infant. From the Olmecs' constructions and monuments, as well as from the sophistication and power of their art, it is evident that their society was complex and nonegalitarian.

Olmec stylistic influence disappeared after about 400 BC. Not all of the Olmec sites were abandoned, but Olmec culture gradually changed, and the region ceased to be the cultural leader of Mesoamerica. See also Mesoamerican civilization.