外國(guó)人最想和你聊的名人話題：保羅·高更

     Gauguin did join him but with disastrous results.
     高更加入了他，卻帶來(lái)了災(zāi)難性的后果。
     Van Gogh and Gauguin's troubled friendship was legendary.
     梵高與高更那極不平靜的友誼是一段傳奇。
     The most typical representative of it is Gauguin, of course.
     這方面最有代表性的例子當(dāng)然是高更。
     Gauguin elected painting as a career when he was in his thirties.
     高更在三十歲時(shí)選擇了繪畫作為他的事業(yè)。
     We were right enough about the arguments of Gauguin and the others!
     對(duì)于高更等人的論點(diǎn)我們可是說(shuō)對(duì)了！
     Tahitians were caught in bright, daily life through Gauguin's paintbrush.
     透過(guò)畫筆，高更勾勒出大溪地人蓬勃朝氣的日常生活。
     The Sunflowers was intended to impress Gauguin.
     這幅《向日葵》目的是給高更留下深刻的印象。
     Gauguin envy Van Goghs talent, he slander Van Goghs paintings.
     高更嫉妒梵高的才華，污蔑梵高的作品。
     In his literary creation of The Moon and Sixpence, Maugham received profound influence of Gauguin and his Tahitian pictures.
     毛姆在創(chuàng)作《月亮和六便士》時(shí)，深受高更及其在塔希堤時(shí)期所創(chuàng)作的繪畫作品的影響。
     Van Gogh and Gauguin forged a deep friendship during the two years they lived and painted as neighbors in Arles, in the south of France.
     梵高和高更在法國(guó)南部小鎮(zhèn)阿爾勒作鄰居的兩年時(shí)間里，一起生活一起畫畫，結(jié)成了深厚的友誼。
     Gauguin and Van Gogh drew everyday, quarreled everyday.
     梵高與高更每日作畫、每日爭(zhēng)吵。
     In Paris, van Gogh studied with Cormon, inevitably met Gauguin.
     在巴黎，梵高與科爾蒙一同學(xué)習(xí)，命中注定地遇到了高更。