Qian Zhongshu
It is spring again and the window can be left open as often as one would like. As spring comes in through the windows, so people—unable to bear staying inside any longer—go outdoors. The spring outside, however, is much too cheap, for the sun shines on everything, and so does not seem as bright as that which shoots into the darkness of the house. Outside the sun-slothed breeze blows everywhere, but it is not so lively as that which stirs the gloominess inside the house. Even the chirping of the birds sounds so thin and broken that the quietness of the house is needed to set it off. It seems that spring was always meant to be put behind a windowpane for show, just like a picture in a frame.
At the same time it also becomes clear that the door has a different significance from the window. Of course, doors were made for people to pass through; but a window can also sometimes serve as an entrance or as an exit, and is used as such by thieves and by lovers in novels. In fact the fundamental difference between a door and a window has nothing to do with them being either entrances or exits. When it comes to the admiration of spring, it could be put this way: a door makes it possible for one to go out, whereas a window makes it possible for one not to have to. A window helps to pull down the partition between man and nature. It leads breezes and sunlight in, and keeps part of the spring in the house. It allows one to sit and enjoy the spring in peace, and makes it unnecessary to go looking for it outside.
錢(qián)鐘書(shū)
又是春天,窗子可以常開(kāi)了。春天從窗外進(jìn)來(lái),人在屋子里坐不住,就從門(mén)里出去。不過(guò)屋子外的春天太賤了!到處是陽(yáng)光,不像射破屋里陰深得那樣明亮;到處是給太陽(yáng)曬得懶洋洋的風(fēng),不像攪動(dòng)屋里沉悶的那樣有生氣。就是鳥(niǎo)語(yǔ),也似乎瑣碎而單薄,需要屋里的寂靜來(lái)做襯托。我們因此明白,春天是該鑲嵌在窗子里看的,好比畫(huà)配了框子。
同時(shí),我們悟到,門(mén)和窗有不同的意義。當(dāng)然,門(mén)是造了讓人出進(jìn)的。但是,窗子有時(shí)也可作為進(jìn)出口用,譬如小偷或小說(shuō)里私約的情人就喜歡爬窗子。所以窗子和門(mén)的根本分別,決不僅是有沒(méi)有人進(jìn)來(lái)出去。若據(jù)賞春一事來(lái)看,我們不妨這樣說(shuō):有了門(mén),我們可以出去;有了窗,我們可以不必出去。窗子打通了大自然和人的隔膜,把風(fēng)和太陽(yáng)逗引進(jìn)來(lái),使屋子里也關(guān)著一部分春天,讓我們安坐了享受,無(wú)需再到外面去找。
實(shí)戰(zhàn)提升
Practising & Exercise
導(dǎo)讀
錢(qián)鐘書(shū)(1910—1998),著名學(xué)者、作家、古典文學(xué)研究家。
錢(qián)鐘書(shū)先生的這篇散文說(shuō)的是窗子,但其用意絕不僅是說(shuō)說(shuō)窗子而已,而是要以窗子來(lái)比喻生活、比喻人生。從語(yǔ)言上看,《窗》延續(xù)了一貫的錢(qián)派手法,用詞平實(shí)、普通,沒(méi)有復(fù)雜的結(jié)構(gòu),從容地?cái)⑹?、說(shuō)理,卻又緊扣主題。
核心單詞
stir [st??] v. 攪拌,攪動(dòng)
chirp [t???p] v. (小鳥(niǎo))發(fā)啁啾聲;(昆蟲(chóng))發(fā)唧唧聲
frame [freim] n. 架構(gòu),骨架;結(jié)構(gòu)
partition [pɑ??ti??n] n. 分開(kāi);分割;劃分
breeze [bri?z] n. 微風(fēng),和風(fēng)
翻譯
It is spring again and the window can be left open as often as one would like.
It seems that spring was always meant to be put behind a windowpane for show, just like a picture in a frame.
It allows one to sit and enjoy the spring in peace, and makes it unnecessary to go looking for it outside.