雙語(yǔ)·邦斯舅舅 四十九、西卜女人上戲院去

LIX

Well, dear M. Schmucke, and how is our dear, adored patient? asked La Cibot, as she came into the room.

Fery pad; Bons haf peen vandering all der night.

Then, what did he say?

Chust nonsense. He vould dot I haf all his fortune, on kondition dot I sell nodings.—Den he cried! Boor mann! It made me ver' sad.

Never mind, honey, returned the portress. "I have kept you waiting for your breakfast; it is nine o'clock and past; but don't scold me. I have business on hand, you see, business of yours. Here are we without any money, and I have been out to get some."

Vere? asked Schmucke.

Of my uncle.

Onkel?

Up the spout.

Shpout?

Oh! the dear man! how simple he is? No, you are a saint, a love, an archbishop of innocence, a man that ought to be stuffed, as the old actor said. What! you have lived in Paris for twenty-nine years; you saw the Revolution of July, you did, and you have never so much as heard tell of a pawnbroker—a man that lends you money on your things?—I have been pawning our silver spoons and forks, eight of them, thread pattern. Pooh, Cibot can eat his victuals with German silver; it is quite the fashion now, they say. It is not worth while to say anything to our angel there; it would upset him and make him yellower than before, and he is quite cross enough as it is. Let us get him round again first, and afterwards we shall see. What must be must; and we must take things as we find them, eh?

Goot voman! nople heart! cried poor Schmucke, with a great tenderness in his face. He took La Cibot's hand and clasped it to his breast. When he looked up, there were tears in his eyes.

There, that will do, Papa Schmucke; how funny you are! This is too bad. I am an old daughter of the people—my heart is in my hand. I have something here, you see, like you have, hearts of gold that you are, she added, slapping her chest.

Baba Schmucke! continued the musician. "No. To know de tepths of sorrow, to cry mit tears of blood, to mount up in der hefn—dat is mein lot! I shall not lif after Bons—"

Gracious! I am sure you won't, you are killing yourself.—Listen, pet!

Bet?

Very well, my sonny—

Zonny?

My lamb, then, if you like it better.

It is not more clear.

Oh, well, let me take care of you and tell you what to do; for if you go on like this, I shall have both of you laid up on my hands, you see. To my little way of thinking, we must do the work between us. You cannot go about Paris to give lessons for it tires you, and then you are not fit to do anything afterwards, and somebody must sit up of a night with M. Pons, now that he is getting worse and worse. I will run round to-day to all your pupils and tell them that you are ill; is it not so? And then you can spend the nights with our lamb, and sleep of a morning from five o'clock till, let us say, two in the afternoon. I myself will take the day, the most tiring part, for there is your breakfast and dinner to get ready, and the bed to make, and the things to change, and the doses of medicine to give. I could not hold out for another ten days at this rate. What would become of you if I were to fall ill? And you yourself, it makes one shudder to see you; just look at yourself, after sitting up with him last night!

She drew Schmucke to the glass, and Schmucke thought that there was a great change.

So, if you are of my mind, I'll have your breakfast ready in a jiffy. Then you will look after our poor dear again till two o'clock. Let me have a list of your people, and I will soon arrange it. You will be free for a fortnight. You can go to bed when I come in, and sleep till night.

So prudent did the proposition seem, that Schmucke then and there agreed to it.

Not a word to M. Pons; he would think it was all over with him, you know, if we were to tell him in this way that his engagement at the theatre and his lessons are put off. He would be thinking that he should not find his pupils again, poor gentleman—stuff and nonsense! M. Poulain says that we shall save our Benjamin if we keep him as quiet as possible.

Ach! fery goot! Pring up der preakfast; I shall make der bett, and gif you die attresses!—You are right; it vould pe too much for me.

An hour later La Cibot, in her Sunday clothes, departed in great state, to the no small astonishment of the Remonencqs; she promised herself that she would support the character of confidential servant of the pair of nutcrackers, in the boarding-schools and private families in which they gave music-lessons.

It is needless to repeat all the gossip in which La Cibot indulged on her round. The members of every family, the head-mistress of every boarding-school, were treated to a variation upon the theme of Pons' illness. A single scene, which took place in the Illustrious Gaudissart's private room, will give a sufficient idea of the rest. La Cibot met with unheard-of difficulties, but she succeeded in penetrating at last to the presence. Kings and cabinet ministers are less difficult of access than the manager of a theatre in Paris; nor is it hard to understand why such prodigious barriers are raised between them and ordinary mortals: a king has only to defend himself from ambition; the manager of a theatre has reason to dread the wounded vanity of actors and authors.

La Cibot, however, struck up an acquaintance with the portress, and traversed all distances in a brief space. There is a sort of freemasonry among the porter tribe, and, indeed, among the members of every profession; for each calling has its shibboleth, as well as its insulting epithet and the mark with which it brands its followers.

Ah! madame, you are the portress here, began La Cibot. "I myself am a portress, in a small way, in a house in the Rue de Normandie. M. Pons, your conductor, lodges with us. Oh, how glad I should be to have your place, and see the actors and dancers and authors go past. It is the marshal's baton in our profession, as the old actor said."

And how is M. Pons going on, good man? inquired the portress.

He is not going on at all; he has not left his bed these two months. He will only leave the house feet foremost, that is certain.

He will be missed.

Yes. I have come with a message to the manager from him. Just try to get me a word with him, dear.

A lady from M. Pons to see you, sir! After this fashion did the youth attached to the service of the manager's office announce La Cibot, whom the portress below had particularly recommended to his care.

Gaudissart had just come in for a rehearsal. Chance so ordered it that no one wished to speak with him; actors and authors were alike late. Delighted to have news of his conductor, he made a Napoleonic gesture, and La Cibot was admitted.