雙語·邦斯舅舅 二十三、一個(gè)德國(guó)念頭

XXIII

With a tact which avoided the difficulties of a late appearance on the scene of action, the women were the first to arrive; they wished to be on their own ground. Pons introduced his friend Schmucke, who seemed to his fair visitors to be an idiot; their heads were so full of the eligible gentleman with the four millions of francs, that they paid but little attention to the worthy Pons' dissertations upon matters of which they were completely ignorant. They looked with indifferent eyes at Petitot's enamels, spaced over crimson velvet, set in three frames of marvelous workmanship. Flowers by Van Huysum, David, and Heim; butterflies painted by Abraham Mignon; Van Eycks, undoubted Cranachs and Albrecht Durers; the Giorgione, the Sebastiano del Piombo; Backhuijzen, Hobbema, Gericault, the rarities of painting—none of these things so much as aroused their curiosity; they were waiting for the sun to arise and shine upon these treasures. Still, they were surprised by the beauty of some of the Etruscan trinkets and the solid value of the snuff-boxes, and out of politeness they went into ecstasies over some Florentine bronzes which they held in their hands when Mme. Cibot announced M. Brunner! They did not turn; they took advantage of a superb Venetian mirror framed in huge masses of carved ebony to scan this phoenix of eligible young men.

Frederic, forewarned by Wilhelm, had made the most of the little hair that remained to him. He wore a neat pair of trousers, a soft shade of some dark color, a silk waistcoat of superlative elegance and the very newest cut, a shirt with open-work, its linen hand-woven by a Friesland woman, and a blue-and-white cravat. His watch chain, like the head of his cane, came from Messrs. Florent and Chanor; and the coat, cut by old Graff himself, was of the very finest cloth. The Suede gloves proclaimed the man who had run through his mother's fortune. You could have seen the banker's neat little brougham and pair of horses mirrored in the surface of his speckless varnished boots, even if two pairs of sharp ears had not already caught the sound of wheels outside in the Rue de Normandie.

When the prodigal of twenty years is a kind of chrysalis from which a banker emerges at the age of forty, the said banker is usually an observer of human nature; and so much the more shrewd if, as in Brunner's case, he understands how to turn his German simplicity to good account. He had assumed for the occasion the abstracted air of a man who is hesitating between family life and the dissipations of bachelorhood. This expression in a Frenchified German seemed to Cecile to be in the highest degree romantic; the descendant of the Virlaz was a second Werther in her eyes—where is the girl who will not allow herself to weave a little novel about her marriage? Cecile thought herself the happiest of women when Brunner, looking round at the magnificent works of art so patiently collected during forty years, waxed enthusiastic, and Pons, to his no small satisfaction, found an appreciative admirer of his treasures for the first time in his life.

He is poetical, the young lady said to herself; "he sees millions in the things. A poet is a man that cannot count and leaves his wife to look after his money—an easy man to manage and amuse with trifles."

Every pane in the two windows was a square of Swiss painted glass; the least of them was worth a thousand francs; and Pons possessed sixteen of these unrivaled works of art for which amateurs seek so eagerly nowadays. In 1815 the panes could be bought for six or ten francs apiece. The value of the glorious collection of pictures, flawless great works, authentic, untouched since they left the master's hands, could only be proved in the fiery furnace of a saleroom. Not a picture but was set in a costly frame; there were frames of every kind—Venetians, carved with heavy ornaments, like English plate of the present day; Romans, distinguishable among the others for a certain dash that artists call flafla; Spanish wreaths in bold relief; Flemings and Germans with quaint figures, tortoise-shell frames inlaid with copper and brass and mother-of-pearl and ivory; frames of ebony and boxwood in the styles of Louis Treize, Louis Quatorze, Louis Quinze, and Louis Seize—in short, it was a unique collection of the finest models. Pons, luckier than the art museums of Dresden and Vienna, possessed a frame by the famous Brustoloni—the Michael Angelo of wood-carvers.

Mlle. de Marville naturally asked for explanations of each new curiosity, and was initiated into the mysteries of art by Brunner. Her exclamations were so childish, she seemed so pleased to have the value and beauty of the paintings, carvings, or bronzes pointed out to her, that the German gradually thawed and looked quite young again, and both were led on further than they intended at this (purely accidental) first meeting.

The private view lasted for three hours. Brunner offered his arm when Cecile went downstairs. As they descended slowly and discreetly, Cecile, still talking fine art, wondered that M. Brunner should admire her cousin's gimcracks so much.

Do you really think that these things that we have just seen are worth a great deal of money?

Mademoiselle, if your cousin would sell his collection, I would give eight hundred thousand francs for it this evening, and I should not make a bad bargain. The pictures alone would fetch more than that at a public sale.

Since you say so, I believe it, returned she; "the things took up so much of your attention that it must be so."

On! mademoiselle! protested Brunner. "For all answer to your reproach, I will ask your mother's permission to call, so that I may have the pleasure of seeing you again."

How clever she is, that 'little girl' of mine! thought the Presidente, following closely upon her daughter's heels. Aloud she said, "With the greatest pleasure, monsieur. I hope that you will come at dinner-time with our Cousin Pons. The President will be delighted to make your acquaintance.—Thank you, cousin."

The lady squeezed Pons' arm with deep meaning; she could not have said more if she had used the consecrated formula, "Let us swear an eternal friendship." The glance which accompanied that "Thank you, cousin," was a caress.

When the young lady had been put into the carriage, and the jobbed brougham had disappeared down the Rue Charlot, Brunner talked bric-a-brac to Pons, and Pons talked marriage.

Then you see no obstacle? said Pons.

Oh! said Brunner, "she is an insignificant little thing, and the mother is a trifle prim.—We shall see."

A handsome fortune one of these days.... More than a million—

Good-bye till Monday! interrupted the millionaire. "If you should care to sell your collection of pictures, I would give you five or six hundred thousand francs—"

Ah! said Pons; he had no idea that he was so rich. "But they are my great pleasure in life, and I could not bring myself to part with them. I could only sell my collection to be delivered after my death."

Very well. We shall see.

Here we have two affairs afoot! said Pons; he was thinking only of the marriage.

Brunner shook hands and drove away in his splendid carriage. Pons watched it out of sight. He did not notice that Remonencq was smoking his pipe in the doorway.