為何美劇總在秋季首映

There are practical reasons for networks to release new programming in the fall, but you might be surprised to find out one of the main reasons has nothing to do with any promotional considerations, planning, or even television itself; it was about giving the radio industry a chance to get out of New York City during the summer.

出于某些實際原因，一些節(jié)目、電視劇總在秋季回歸，但你會意外地發(fā)現(xiàn)這幾乎與任何宣傳計劃都無關(guān)，甚至與電視劇本身的內(nèi)容也無關(guān)。這僅是為了給夏季的廣播業(yè)一個“沖出”紐約的機會。

CBS and NBC originally began as radio networks, and back in the 1920s and 1930s before television, their headquarters in New York City produced most national radio programming. But as New Yorkers know, there are few things more unbearable than a New York City heat wave, and before the invention of air conditioning, beating the heat meant getting out of the city. It only made sense to shut down radio production and give people a chance to escape to Cape Cod bungalows and Catskill retreats to wait out the long hot summer.

CBS和NBC最初是作為廣播公司發(fā)家的。早在20世紀20年代和30年代電視節(jié)目流行之前，他們就在位于紐約的總部涵蓋了國家大部分的廣播節(jié)目。但每一個紐約人都知道，沒有誰能捱得過紐約夏季的熱浪。在空調(diào)發(fā)明之前，唯一能躲過此劫的辦法就是離開紐約。這時候叫停廣播業(yè)，給人們一個機會去科德角或者卡茨基爾避暑的機會，也說得過去。

But then television came along. Back in the late '40s and early '50s, television was just beginning to really take off. TV had clearly been on the rise before World War II, but once war broke out, the government shut down commercial broadcasts and television equipment production. Hardly anyone was working in television during the war, but the post-war economic boom of the late '40s that followed made TV sets affordable for middle-class families, and the demand for new programming was at an all-time high.

但是電視出現(xiàn)了。早在40年代末和50年代初，電視業(yè)就開始真正騰飛了。在第二次世界大戰(zhàn)前，它開始興起，但是戰(zhàn)爭爆發(fā)，政府就停止了商業(yè)廣播和電視設(shè)備的生產(chǎn)。在戰(zhàn)爭期間，幾乎沒有人從事與電視相關(guān)的工作，但40年代末——即戰(zhàn)后的經(jīng)濟繁榮期，中產(chǎn)階級家庭都買得起電視機了，新節(jié)目的需求量達到歷史最高水平。

Broadcast networks knew they had a gold mine on their hands if they could satisfy that demand, but television was a new medium and it wasn't clear what people wanted to see. The easiest thing to do was to produce new shows by offering TV contracts to existing radio celebrities, and many early hits like "The Adventures of Ozzie and Harriet"and "The Red Skelton Show" were developed by giving radio stars their own television programs. Everyone making the switch from radio to TV made sure their schedules allowed them to spend the summer months elsewhere, and networks continued taking breaks after May and premiering new shows in September when everyone was back from vacation.

廣播界心知肚明，一旦能滿足這種增長的需求，他們就能賺的盆滿缽滿。但在當(dāng)時，電視機是作為一種新媒體的身份出現(xiàn)的，它能否為大眾所接受是未知的。最簡單的方式就是和廣播名人簽署合同，讓他們出新節(jié)目;還有一些早期很紅的如《奧茲和哈里特的冒險》和《雷德·斯克爾頓秀》，都是一些廣播明星主持的節(jié)目。為了能在夏日避暑，每個人的注意力從廣播轉(zhuǎn)向了電視。而廣播業(yè)也可以在五月到九月這段時間輪休，等到人們度假結(jié)束，新的節(jié)目也就出來了。

When television production moved to California, the tradition of starting new blocks of shows in the fall continued, and as it turns out, the system worked well for the industry—and for viewers. It still does to this day. Fewer people tend to watch TV during the summer since they are vacationing or spending more time watching summer movies. So releasing new shows in the fall ensures the networks free buzz around the annual season premieres and guarantees viewers know when to tune in to their favorite shows' new seasons.

當(dāng)電視業(yè)重心從紐約轉(zhuǎn)移到加州時，秋季回歸的這一傳統(tǒng)也被保留了下來，而事實也證明，此套不成文的規(guī)定，對業(yè)界和觀眾都很受用。現(xiàn)在，也仍是這樣。夏季很少有人還看電視，因為他們大都選擇出去旅游了。所以，在秋季發(fā)布新劇，既讓電視業(yè)能緩一緩，觀眾也準(zhǔn)確地知道了何時該收看、收聽他們最愛的節(jié)目了。

But it's also about advertising dollars. Networks sell advertising cyclically. The upcoming TV season's schedule is revealed when the previous season ends so advertisers can buy slots months in advance—a system that began in the 1960s. Many think this way of selling ads is obsolete and should be replaced. Who knows, maybe fall premieres will become obsolete one day, as well. Many networks are already experimenting with releasing new shows in the spring and even in the summer.

但這么做也與利益相關(guān)，因為這樣廣播網(wǎng)就可以周期地賺廣告費了。前一季一結(jié)束，節(jié)目更新時間一確定，廣告商就有機可乘了——利用這段間隔期插播廣告。此現(xiàn)象也是從60年代開始的。很多人認為這種銷售方式已經(jīng)過時了，理應(yīng)被取代。但是誰也說不準(zhǔn)，或許有一天“秋季首映/回歸”也會被取代呢。畢竟現(xiàn)在，已經(jīng)有廣播公嘗試在冬季甚至是夏季更新節(jié)目了。

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