現(xiàn)代英文選評(píng)：Bookshops in Paris 巴黎的書(shū)店

Bookshops in Paris 巴黎的書(shū)店

Aldous Huxley (1894—1963)

本文作者阿爾德斯·赫胥黎為英國(guó)維多利亞朝思想家赫胥黎（T. H. Huxley）之孫，家學(xué)淵源，才氣縱橫，為本世紀(jì)文壇一大怪杰。論學(xué)問(wèn)之淵博，文思之敏捷，當(dāng)世恐罕有其匹。識(shí)者論其為才華有余，深沉不足，晚年潛心宗教，作風(fēng)亦漸從絢爛歸于平淡。著作極多：長(zhǎng)篇小說(shuō)有Point Counter Point, Brave New World等十一種；大半短篇小說(shuō)已集于Collected Short Stories（1957）；Collected Essays（1959）則為其散文選集。

本文選自1953年12月份美國(guó)Esquire雜志，原題“The Fresh of Paris”，所談皆有關(guān)法國(guó)歷史文化，讀來(lái)似親聆一文壇前輩之閑話家常也。此處所錄數(shù)段，似可獨(dú)立成一小品文字。

As a child, as a schoolboy, I knew only the physical appearance of Paris and the Parisians. But as my knowledge of French increased, I became aware of other, less obvious aspects of the city. By the time I was eighteen I had developed a passion for French literature. But literature implies books and books imply bookshops, and there are more bookshops to the square mile in Paris than in any other city with which I am acquainted.

● physical appearance：物質(zhì)方面的外表，指街道房屋等。Parisians：巴黎人。

● aware of：從耳目方面覺(jué)察而知。obvious：明顯。aspects：方面。我的法文程度漸漸進(jìn)步，我覺(jué)察出來(lái)巴黎城還有比較少受人注意的別的種種方面。

● passion：強(qiáng)烈愛(ài)好。

● implies：關(guān)聯(lián)。文學(xué)一定牽連到書(shū)本，說(shuō)到文學(xué)，便不得不說(shuō)到書(shū)本。to the square mile in Paris：巴黎每平方里上面書(shū)店之多，勝過(guò)我所見(jiàn)識(shí)過(guò)的任何城市。注意介詞to的用法。

These bookshops! What an immense profusion! What a blessed cheapness! In those days there were reprints of practically everything at ninety-five centimes. And the latest novel or volume of essays cost only three francs fifty. Except for collectors' items, the price of secondhand books was no less reasonable. In their brown calfskin, if they were of the seventeenth or eighteenth century, in paper or in mottled boards, if they had been published after 1820, they stood there in the deliciously smelly twilight, shelf above shelf, from floor to ceiling. Those dim caverns of forgotten literature, of dead philosophy and superannuated science, were earthly paradises. And when their darkness became a little oppressive, there were the open-air markets on the Quais. Half a mile of books and old engravings, with the river immediately behind and below them, and the Louvre rising majestically in the background.

● 第一段文字甚簡(jiǎn)單，本段則于選字造句，多用功夫。

● 一起頭連用三個(gè)驚嘆句：第一句呼應(yīng)上段，引起“書(shū)店”正文。第二句道書(shū)店之多，英文關(guān)于“多”這一個(gè)概念，可用之字甚多，作者拈出profusion一字，則表示“觸目皆是，多不勝收”，再加上形容詞immense，則多之極矣。第三句說(shuō)書(shū)店售價(jià)之低廉，用一形容詞blessed，則有“為寒士造?！敝狻?

● reprints of practically everything：幾乎什么樣的書(shū)都有翻印本。reprint常指已喪失版權(quán)或得原版權(quán)持有人同意后復(fù)印之書(shū)。centime和franc（法郎）皆法國(guó)貨幣，I franc=100 centimes。

● collectors' items：藏書(shū)家的（珍）品。secondhand books：舊書(shū)，（轉(zhuǎn)讓的書(shū)）；它們的價(jià)錢(qián)和新書(shū)（包括reprints和latest novel等），一樣地“合理”（reasonable）。

● 講起舊書(shū)，作者的興致又提起來(lái)了。文章至此，辭藻轉(zhuǎn)趨華麗，作者要把巴黎淘舊書(shū)的樂(lè)趣，形諸筆墨，非盡力描寫(xiě)，恐不足道出當(dāng)年情景也。

● 他舉了兩種舊書(shū)，一種是出版于十七八世紀(jì)，書(shū)皮用棕色犢皮（calfskin）；另一種于1820年以后出版，書(shū)皮用軟紙，或用有斑紋圖案的硬紙（mottled board）。作者所以只描寫(xiě)書(shū)皮而不及內(nèi)容者，因?yàn)樘耘f書(shū)的人第一眼所注意的應(yīng)該只是書(shū)的外表。

● 書(shū)架上一層一層（shelf）地站滿了舊書(shū)，下起地板，上迄天花板。書(shū)店內(nèi)部情形怎么樣呢？作者只用三個(gè)字來(lái)描寫(xiě)：deliciously smelly twilight。幽暗之中，有異香焉。此處筆墨所以能如此經(jīng)濟(jì)，全仗用了twilight（朦朧）這樣一個(gè)名詞；只說(shuō)“幽暗”，而不說(shuō)“幽暗的地方”，這是文章功力所在，善文者當(dāng)能深體此意。smelly應(yīng)該是“臭”，（《綜合英漢大辭典》即直稱之為“臭”），至少是有怪味，然而前面加了個(gè)副詞deliciously，只好說(shuō)是“異香神怡”了。

● 次句用兩個(gè)字dim cavern（幽暗的洞穴），又是說(shuō)書(shū)店里的光線不佳。那樣的環(huán)境里藏著文學(xué)、哲學(xué)、科學(xué)三科的舊書(shū)；作者用了三個(gè)形容詞forgotten, dead, superannuated（逾齡的，老朽的），三字除末字稍僻外，首兩字均普通，意義均相仿，然在此處用來(lái)，似乎個(gè)個(gè)皆見(jiàn)功夫。被人遺忘了的文學(xué)書(shū)，喪失了生命的哲學(xué)書(shū)，老朽無(wú)用的科學(xué)書(shū)。讀者細(xì)心體會(huì)，當(dāng)可覺(jué)得作者選用這三個(gè)字的苦心也。earthly paradise：人間天堂。

● their darkness之their指caverns。oppressive：悶人，使人覺(jué)得氣悶。open-air：露天的。Quai（法文）：碼頭，指巴黎塞納（Seine）河畔的碼頭。

● engravings：版畫(huà)（石印、木刻等）。Louvre：盧浮宮，巴黎著名博物院。majestically：巍然。河畔書(shū)攤林立，舊書(shū)古書(shū)，連綿不絕，長(zhǎng)達(dá)半里；塞納河即緊靠其后，自下流過(guò)；稍遠(yuǎn)而雄峙于后方者，則Louvre博物院是也。形容博物院的形勢(shì)，不說(shuō)standing，而說(shuō)rising，文章即更見(jiàn)活潑，本來(lái)死的靜的東西，被作者說(shuō)成活的動(dòng)的了。

Then came the Deluge. When the tide of blood had withdrawn, when, in 1919, it became possible once more to travel on the Continent, the franc was a thing of paper, worth only a fifth of its gold-based predecessor. But the bookstalls along the river, the secondhand shops around Saint-Sulpice, the huge emporium under the arcades of the Odeon, the specialists in erudition of the Boulevard Saint-Michel—they were all there, as though nothing had happened.

● Deluge：洪水；尤指《舊約·創(chuàng)世紀(jì)》所記之洪水。相傳法王路易十五曾有言曰：“朕死之后，洪水任其泛濫可也?！保ˋfter me, the deluge!）后法國(guó)大革命果于路易十六王朝發(fā)生。此處恐指第一次歐戰(zhàn)而言，觀第二句自明。

● the tide of blood had withdrawn：血潮退盡。按：第一次歐戰(zhàn)于1918年結(jié)束，1919年召開(kāi)巴黎和會(huì)。

● a fifth：五分之一。predecessor：前身，戰(zhàn)前的法郎。gold-based：黃金本位的。

● bookstalls：書(shū)攤。Saint-Sulpice：教堂名。emporium：市場(chǎng)。arcades：環(huán)廊。Odeon：巴黎有名之劇院。specialists：專家。erudition：學(xué)問(wèn)，尤指博聞強(qiáng)記的學(xué)問(wèn)。那些書(shū)店掌柜學(xué)識(shí)都很淵博。Boulevard Saint-Michel：路名，為巴黎不甚高貴的繁華區(qū)域。塞納河畔，Saint-Sulpice教堂的四周，Odeon劇院廊下的市場(chǎng)，Saint-Michel大道，都是巴黎書(shū)店書(shū)攤薈萃之區(qū)，猶如談起北平的舊書(shū)來(lái)，不得不提廠甸、東安市場(chǎng)、隆福寺等地也。

● as though nothing had happened：好像沒(méi)有打過(guò)仗，法郎也沒(méi)有貶值一般。

Meanwhile, though the economic handicaps are daily increasing, a torrent of new volumes continues to pour from the presses of France. The bookshops are still in business, not merely in Paris, but throughout the provinces. Traveling through the United States, I have found myself in cities of fifty thousand inhabitants, where it was impossible to buy a book. In France you can buy Gide at most railway stations and Valéry practically everywhere.

● economic handicaps：經(jīng)濟(jì)上的阻礙，書(shū)的成本貴了，買(mǎi)書(shū)的人經(jīng)濟(jì)力量差了。torrent：洶涌激流。presses：印刷機(jī)。此字也可轉(zhuǎn)作印刷廠解，但這里如作印刷機(jī)解，似乎更生動(dòng)，更可傳神。經(jīng)濟(jì)困難雖與日俱增，但新書(shū)還是源源不斷地出版。

● still in business：照常營(yíng)業(yè)。provinces：巴黎以外的各外省。

● inhabitants：居民（人口數(shù)）。

● Gide即André Gide（1869—1951）：普通譯作紀(jì)德，法國(guó)小說(shuō)家、批評(píng)家。Valéry即Paul Ambroise Valéry（1871—1945），普通譯作梵樂(lè)希，法國(guó)詩(shī)人、哲學(xué)家。英文慣例，作家之名即可代表其著作，故不必說(shuō)“you can buy Gide's works”。紀(jì)德和梵樂(lè)希都是所謂高級(jí)趣味（highbrow）的作家，而其作品在法國(guó)幾乎可以到處購(gòu)得，足見(jiàn)法國(guó)文風(fēng)之盛，迄未稍衰焉。