上海國(guó)際電影節(jié)觀影指南：介紹5部文藝大片

四十五年

主演: 夏洛特·蘭普林/ 多莉·韋爾斯/ 湯姆·康特奈

There is just one week until Kate Mercer's 45th wedding anniversary and the planning for the party is going well. But then a letter arrives for her husband. The body of his first love has been discovered, frozen and preserved in the icy glaciers of the Swiss Alps. By the time the party is upon them, five days later, there may not be a marriage left to celebrate.

離凱特·梅塞45周年婚慶只有一周了，宴會(huì)的計(jì)劃都進(jìn)行的井井有條。但是隨后寄來(lái)了一封給她丈夫的信，他初戀情人的尸體被發(fā)現(xiàn)了，冰封在瑞士阿爾卑斯冰川之下。5天之后，這場(chǎng)本該慶賀的婚慶恐怕已經(jīng)不復(fù)存在。

再伉儷情深的關(guān)系，會(huì)不會(huì)在某一天回頭，才發(fā)現(xiàn)過(guò)去洶涌而來(lái)的是一場(chǎng)崩塌和災(zāi)難。

The Postman's White Nights(2014)

郵差的白夜

主演: Aleksey Tryapitsyn / Timur Bondarenko / Irina Ermolova

The film represents life in a godforsaken Russian village. The only way to reach the mainland is to cross the lake by boat and a postman became the only connection with the outside world.

電影描繪了一座凄涼俄羅斯村莊中的生活。村莊同大陸的通路就是乘船過(guò)河，郵差便成了和外界世界聯(lián)系的唯一途徑。

There is neither government nor social services or jobs. The postman's beloved woman escapes the village life and moves to the city. Postman's outboard engine gets stolen and he can no longer deliver mail. His normal pattern of life is disrupted. The postman makes a decision to leave for the city too but returns before long with no certain reason.

這里既沒(méi)有政府也沒(méi)有社會(huì)服務(wù)或工作。郵差暗戀的女子逃出了村莊去了城市。郵差的船外發(fā)動(dòng)機(jī)被偷了，他再也不能送信了。他的常規(guī)生活被破壞，于是他決定也離開(kāi)這里去到城市，但是不久就回來(lái)了，沒(méi)有任何理由……

波瀾不驚，雋永悠長(zhǎng)，詩(shī)意的寧?kù)o，后工業(yè)時(shí)代的迷失交織在一起……“人們總是談?wù)撆f時(shí)光，人們也注定被遺忘。”

A Pigeon Sat on a Branch Reflecting on Existence(2014)

寒枝雀靜

主演: Holger Andersson / Nils Westblom / Charlotta Larsson

This film pretty much summarizes how it feels to live in the world where 99% of people you deal with are imbeciles. In other words, it gives an accurate description of the state of the world right now. When you think carefully, you understand there is not that much difference between Apple Google whatchamacallit CEOs and those two guys of the film who work in the "entertainment business" and help people to have some good time.

這部電影很大程度上總結(jié)了居住在這個(gè)世上，你所打交道的99%的人都是蠢蛋。換句話說(shuō)，它精準(zhǔn)的刻畫(huà)了如今的視覺(jué)。你仔細(xì)想想，所謂蘋(píng)果谷歌的CEO和電影里兩個(gè)買(mǎi)搞笑玩具幫助人們開(kāi)心打發(fā)時(shí)間的銷(xiāo)售員沒(méi)啥大區(qū)別。

You look around and you see the bleakness of the film isn't an overstatement. It actually mirrors our reality. No one cares anymore. Nobody's listening anymore. We're tired, exhausted and uninspired.

你四下探望，你會(huì)發(fā)現(xiàn)這部陰郁的電影并沒(méi)有夸大其實(shí)。它其實(shí)映射了現(xiàn)實(shí)：沒(méi)人關(guān)心誰(shuí)，沒(méi)人真的在傾聽(tīng)誰(shuí)。我們都累了，乏了，平淡無(wú)奇缺乏創(chuàng)見(jiàn)。

操蛋的人生，操蛋的冷漠，疏離冷峻、荒誕奇異，你自己的人生都很無(wú)趣，如何跟別人販賣(mài)有趣，縱使販賣(mài)樂(lè)趣，人們臉上亦難掩冷淡……但是大家都不要被騙了，這是部喜!劇!

Ida (2013)

修女伊達(dá)

主演: 阿伽塔·庫(kù)萊沙/ 阿伽塔·特澤布霍夫斯卡/ 喬安娜·庫(kù)里格

Poland, 1962. Anna, an orphan brought up by nuns in the convent, is a novice. She has to see Wanda, the only living relative, before she takes her vows. Wanda tells Anna about her Jewish roots. Both women start a journey not only to find their family's tragic story, but to see who they really are and where they belong. They question what they used to believe in.

1962年的波蘭，一名喚作安娜的孤兒在修道院修女的撫養(yǎng)下長(zhǎng)大成人，成為了一名見(jiàn)習(xí)修女。在她宣誓成為正式修女前，她要去見(jiàn)生命中唯一的親人旺達(dá)。旺達(dá)告訴安娜，她是一名猶太人。兩位女子開(kāi)始了一段旅程，不僅僅是為了追尋家族悲劇，更是為了找尋真正的自己和自身的歸宿。并開(kāi)始一步步質(zhì)疑自己曾經(jīng)深信不疑的一切。

攝影藝術(shù)滿分，絕佳的構(gòu)圖和內(nèi)省的影像;創(chuàng)意角度出彩，反敘事嘗試別有滋味。這部精致的黑白影片其實(shí)只想告訴我們一個(gè)道理：歷史兇殘，回首必傷。

Winter Sleep(2014)

冬眠

主演: 哈魯克·比爾根納爾/ 梅麗莎·索岑/ 迪米·阿克貝

Aydin, a former actor, runs a small hotel in central Anatolia with his young wife Nihal with whom he has a stormy relationship and his sister Necla who is suffering from her recent divorce. In winter as the snow begins to fall, the hotel turns into a shelter but also an inescapable place that fuels theiranimosities...

前演員艾丁在安納托利亞市中心和年輕的妻子尼哈爾經(jīng)營(yíng)著一家小旅館，他有著暴風(fēng)雨般的關(guān)系，而他的妹妹尼卡正遭受近期離婚的折磨。冬天來(lái)了，雪開(kāi)始下個(gè)不停，旅館變成了一間庇護(hù)所，但是同時(shí)也成為了加劇她們彼此仇恨的無(wú)處可逃的牢籠……

人和人之間的溝通真的能打碎那層看不見(jiàn)的隔閡嗎?“我們疲于奔命， 做出好似大有可為的假象， 每天早上我都有絕妙的想法， 整天卻都在無(wú)所事事。”