英語童話故事OLE THE TOWER-KEEPER

　　OLE THE TOWER-KEEPER

　　1872

　　FAIRY TALES OF HANS CHRISTIAN ANDERSEN

　　OLE THE TOWER-KEEPER

　　by Hans Christian Andersen

　　"IN the world it's always going up and down; and now I can't go up

　　any higher!" So said Ole the tower-keeper. "Most people have to try

　　both the ups and the downs; and, rightly considered, we all get to

　　be watchmen at last, and look down upon life from a height."

　　Such was the speech of Ole, my friend, the old tower-keeper, a

　　strange, talkative old fellow, who seemed to speak out everything that

　　came into his head, and who for all that had many a serious thought

　　deep in his heart. Yes, he was the child of respectable people, and

　　there were even some who said that he was the son of a privy

　　councillor, or that he might have been. He had studied, too, and had

　　been assistant teacher and deputy clerk; but of what service was all

　　that to him? In those days he lived in the clerk's house, and was to

　　have everything in the house- to be at free quarters, as the saying

　　is; but he was still, so to speak, a fine young gentleman. He wanted

　　to have his boots cleaned with patent blacking, and the clerk could

　　only afford ordinary grease; and upon that point they split. One spoke

　　of stinginess, the other of vanity, and the blacking became the

　　black cause of enmity between them, and at last they parted.

　　This is what he demanded of the world in general, namely, patent

　　blacking, and he got nothing but grease. Accordingly, he at last

　　drew back from all men, and became a hermit; but the church tower is

　　the only place in a great city where hermitage, office and bread can

　　be found together. So he betook himself up thither, and smoked his

　　pipe as he made his solitary rounds. He looked upward and downward, and had his own thoughts, and told in his own way of what he read in books and in himself. I often lent him books- good books; and you may know by the company he keeps. He loved neither the English governess novels nor the French ones, which he called a mixture of empty wind and raisin-stalks: he wanted biographies, and descriptions of the wonders of, the world. I visited him at least once a year, generally directly after New Year's day, and then he always spoke of this and that which the change of the year had put into his head.

　　I will tell the story of three of these visits, and will reproduce

　　his own words whenever I can remember them.

　　FIRST VISIT

　　Among the books which I had lately lent Ole, was one which had

　　greatly rejoiced and occupied him. It was a geological book,

　　containing an account of the boulders.

　　"Yes, they're rare old fellows, those boulders!" he said; "and

　　to think that we should pass them without noticing them! And over

　　the street pavement, the paving stones, those fragments of the

　　oldest remains of antiquity, one walks without ever thinking about

　　them. I have done the very thing myself. But now I look respectfully

　　at every paving-stone. Many thanks for the book! It has filled me with

　　thought, and has made me long to read more on the subject. The romance of the earth is, after all, the most wonderful of all romances. It's a pity one can't read the first volume of it, because it is written in a

　　language that we don't understand. One must read in the different

　　strata, in the pebble-stones, for each separate period. Yes, it is a

　　romance, a very wonderful romance, and we all have our place in it.

　　We grope and ferret about, and yet remain where we are; but the ball

　　keeps turning, without emptying the ocean over us; the clod on which

　　we move about, holds, and does not let us through. And then it's a

　　story that has been acting for thousands upon thousands of years and

　　is still going on. My best thanks for the book about the boulders.

　　Those are fellows indeed! They could tell us something worth

　　hearing, if they only knew how to talk. It's really a pleasure now and

　　then to become a mere nothing, especially when

　　a man is as highly

　　placed as I am. And then to think that we all, even with patent

　　lacquer, are nothing more than insects of a moment on that ant-hill

　　the earth, though we may be insects with stars and garters, places and

　　offices! One feels quite a novice beside these venerable

　　million-year-old boulders. On last New Year's eve I was reading the

　　book, and had lost myself in it so completely, that I forgot my

　　usual New Year's diversion, namely, the wild hunt to Amack. Ah, you

　　don't know what that is!

　　"The journey of the witches on broomsticks is well enough known-

　　that journey is taken on St. John's eve, to the Brocken; but we have a

　　wild journey, also which is national and modern, and that is the

　　journey to Amack on the night of the New Year. All indifferent poets

　　and poetesses, musicians, newspaper writers, and artistic

　　notabilities,- I mean those who are no good,- ride in the New Year's

　　night through the air to Amack. They sit backwards on their painting

　　brushes or quill pens, for steel pens won't bear them- they're too

　　stiff. As I told you, I see that every New Year's night, and could

　　mention the majority of the riders by name, but I should not like to

　　draw their enmity upon myself, for they don't like people to talk

　　about their ride to Amack on quill pens. I've a kind of niece, who

　　is a fishwife, and who, as she tells me, supplies three respectable

　　newspapers with the terms of abuse and vituperation they use, and

　　she has herself been at Amack as an invited guest; but she was carried

　　out thither, for she does not own a quill pen, nor can she ride. She

　　has told me all about it. Half of what she said is not true, but the

　　other half gives us information enough. When she was out there, the

　　festivities began with a song; each of the guests had written his

　　own song, and each one sang his own song, for he thought that the

　　best, and it was all one, all the same melody. Then those came

　　marching up, in little bands, who are only busy with their mouths.

　　There were ringing bells that rang alternately; and then came the

　　little drummers that beat their tattoo in the family circle; and

　　acquaintance was made with those who write without putting their

　　names, which here means as much as using grease instead of patent

　　blacking; and then there was the beadle with his boy, and the boy

　　was worst off, for in general he gets no notice taken of him; then,

　　too, there was the good street sweeper with his cart, who turns over

　　the dust-bin, and calls it 'good, very good, remarkably good.' And

　　in the midst of the pleasure that was afforded by the mere meeting

　　of these folks, there shot up out of the great dirt-heap at Amack a

　　stem, a tree, an immense flower, a great mushroom, a perfect roof,

　　which formed a sort of warehouse for the worthy company, for in it

　　hung everything they had given to the world during the Old Year. Out

　　of the tree poured sparks like flames omitted taking

　　my look at the guests, I bowled away on the boulders, rolled back

　　through millions of years, and saw the stones break loose high up in

　　the north, saw them drifting about on icebergs, long before Noah's ark was constructed, saw them sink down to the bottom of the sea, and re-appear with a sand-bank, with that one that peered forth from the flood and said, 'This shall be Zealand!' I saw them become the

　　dwelling-place of birds that are unknown to us, and then become the

　　seat of wild chiefs of whom we know nothing, until with their axes

　　they cut their Runic signs into a few of these stones, which then came

　　into the calendar of time. But as for me, I had gone quite beyond

　　all lapse of time, and had become a cipher and a nothing. Then three

　　or four beautiful falling stars came down, which cleared the air,

　　and gave my thoughts another direction. You know what a falling star

　　is, do you not? The learned men are not at all clear about it. I

　　have my own ideas about shooting stars, as the common people in many parts call them, and my idea is this: How often are silent

　　thanksgivings offered up for one who has done a good and noble action!

　　The thanks are often speechless, but they are not lost for all that. I

　　think these thanks are caught up, and the sunbeams bring the silent,

　　hidden thankfulness over the head of the benefactor; and if it be a

　　whole people that has been expressing its gratitude through a long

　　lapse of time, the thankfulness appears as a nosegay of flowers, and

　　at length falls in the form of a shooting star over the good man's

　　grave. I am always very much pleased when I see a shooting star,

　　especially in the New Year's night, and then find out for whom the

　　gift of gratitude was intended. Lately a gleaming star fell in the

　　southwest, as a tribute of thanksgiving to many- many! 'For whom was that star intended?' thought I. It fell, no doubt, on the hill by

　　the Bay of Plensberg, where the Danebrog waves over the graves of

　　Schleppegrell, Lasloes, and their comrades. One star also fell in

　　the midst of the land, fell upon Soro, a flower on the grave of

　　Holberg, the thanks of the year from a great many - thanks for his

　　charming plays!

　　"It is a great and pleasant thought to know that a shooting star

　　falls upon our graves. On mine certainly none will fall- no sunbeam

　　brings thanks to me, for here there is nothing worthy of thanks. I

　　shall not get the patent lacquer," said Ole, "for my fate on earth

　　is only grease, after all."

　　SECOND VISIT

　　It was New Year's day, and I went up on the tower. Ole spoke of

　　the toasts that were drunk on the transition from the Old Year into

　　the New- from one grave into the other, as he said. And he told me a

　　story about the glasses, and this story had a very deep meaning. It

　　was this:

　　"When on the New Year's night the clock strikes twelve, the people

　　at the table rise up with full glasses in their hands, and drain these

　　glasses, and drink success to the New Year. They begin the year with

　　the glass in their hands; that is a good beginning for drunkards. They

　　begin the New Year by going to bed, and that's a good beginning for

　　drones. Sleep is sure to play a great part in the New Year, and the

　　glass likewise. Do you know what dwells in the glass?" asked Ole. "I

　　will tell you. There dwell in the glass, first, health, and then

　　pleasure, then the most complete sensual delight; and misfortune and

　　the bitterest woe dwell in the glass also. Now, suppose we count the

　　glasses- of course I count the different degrees in the glasses for

　　different people.

　　"You see, the first glass, that's the glass of health, and in that

　　the herb of health is found growing. Put it up on the beam in the

　　ceiling, and at the end of the year you may be sitting in the arbor of

　　health.

　　"If you take the second glass- from this a little bird soars

　　upward, twittering in guileless cheerfulness, so that a man may listen

　　to his song, and perhaps join in 'Fair is life! no downcast looks!

　　Take courage, and march onward!'

　　"Out of the third glass rises a little winged urchin, who cannot

　　certainly be called an angel child, for there is goblin blood in his

　　veins, and he has the spirit of a goblin- not wishing to hurt or

　　harm you, indeed, but very ready to play off tricks upon you. He'll

　　sit at your ear and whisper merry thoughts to you; he'll creep into

　　your heart and warm you, so that you grow very merry, and become a wit, so far as the wits of the others can judge.

　　"In the fourth glass is neither herb, bird, nor urchin. In that

　　glass is the pause drawn by reason, and one may never go beyond that sign.

　　"Take the fifth glass, and you will weep at yourself, you will

　　feel such a deep emotion; or it will affect you in a different way.

　　Out of the glass there will spring with a bang Prince Carnival, nine

　　times and extravagantly merry. He'll draw you away with him; you'll

　　forget your dignity, if you have any, and you'll forget more than

　　you should or ought to forget. All is dance, song and sound: the masks will carry you away with them, and the daughters of vanity, clad in silk and satin, will come with loose hair and alluring charms; but tear yourself away if you can!

　　"The sixth glass! Yes, in that glass sits a demon, in the form

　　of a little, well dressed, attractive and very fascinating man, who

　　thoroughly understands you, agrees with you in everything, and becomes quite a second self to you. He has a lantern with him, to give you light as he accompanies you home. There is an old legend about a saint who was allowed to choose one of the seven deadly sins, and who accordingly chose drunkenness, which appeared to him the least, but which led him to commit all the other six. The man's blood is

　　mingled with that of the demon. It is the sixth glass, and with that

　　the germ of all evil shoots up within us; and each one grows up with a

　　strength like that of the grains of mustard-seed, and shoots up into a

　　tree, and spreads over the whole world: and most people have no choice but to go into the oven, to be re-cast in a new form.

　　"That's the history of the glasses," said the tower-keeper Ole,

　　"and it can be told with lacquer or only with grease; but I give it

　　you with both!"

　　THIRD VISIT

　　On this occasion I chose the general "moving-day" for my visit

　　to Ole, for on that day it is anything but agreeable down in the

　　streets in the town; for they are full of sweepings, shreds, and

　　remnants of all sorts, to say nothing of the cast-off rubbish in which

　　one has to wade about. But this time I happened to see two children

　　playing in this wilderness of sweepings. They were playing at "going

　　to bed," for the occasion seemed especially favorable for this

　　sport. They crept under the straw, and drew an old bit of ragged

　　curtain over themselves by way of coverlet. "It was splendid!" they

　　said; but it was a little too strong for me, and besides, I was

　　obliged to mount up on my visit to Ole.

　　"It's moving-day to day," he said; "streets and houses are like

　　a dust-bin- a large dust-bin; but I'm content with a cartload. I may

　　get something good out of that, and I really did get something good

　　out of it once. Shortly after Christmas I was going up the street;

　　it was rough weather, wet and dirty- the right kind of weather to

　　catch cold in. The dustman was there with his cart, which was full,

　　and looked like a sample of streets on moving-day. At the back of

　　the cart stood a fir tree, quite green still, and with tinsel on its

　　twigs; it had been used on Christmas eve, and now it was thrown out

　　into the street, and the dustman had stood it up at the back of his

　　cart. It was droll to look at, or you may say it was mournful- all

　　depends on what you think ofwhen you see it; and I thought about

　　it, and thought this and that of many things that were in the cart: or

　　I might have done so, and that comes to the same thing. There was an

　　old lady's glove, too: I wonder what that was thinking of? Shall I

　　tell you? The glove was lying there, pointing with its little finger

　　at the tree. 'I'm sorry for the tree,' it thought; 'and I was also

　　at the feast, where the chandeliers glittered. My life was, so to

　　speak, a ball night- a pressure of the hand, and I burst! My memory

　　keeps dwelling upon that, and I have really nothing else to live for!'

　　This is what the glove thought, or what it might have thought. 'That's

　　a stupid affair with yonder fir tree,' said the potsherds. You see,

　　potsherds think everything is stupid. 'When one is in the

　　dust-cart,' they said, 'one ought not to give one's self airs and wear

　　tinsel. I know that I have been useful in the world- far more useful

　　than such a green stick.' This was a view that might be taken, and I

　　don't think it quite a peculiar one; but for all that, the fir tree

　　looked very well: it was like a little poetry in the dust-heap; and

　　truly there is dust enough in the streets on moving-day. The way is

　　difficult and troublesome then, and I feel obliged to run away out

　　of the confusion; or, if I am on the tower, I stay there and look

　　down, and it is amusing enough.

　　"There are the good people below, playing at 'changing houses.'

　　They toil and tug away with their goods and chattels, and the

　　household goblin sits in an old tub and moves with them. All the

　　little griefs of the lodging and the family, and the real cares and

　　sorrows, move with them out of the old dwelling into the new; and what gain is there for them or for us in the whole affair? Yes, there was written long ago the good old maxim: 'Think on the great moving-day of death!' That is a serious thought. I hope it is not disagreeable to you that I should have touched upon it? Death is the most certain messenger, after all, in spite of his various occupations. Yes, Death is the omnibus conductor, and he is the passport writer, and he countersigns our service-book, and he is director of the savings bank of life. Do you understand me? All the deeds of our life, the great and the little alike, we put into this savings bank; and when

　　Death calls with his omnibus, and we have to step in, and drive with

　　him into the land of eternity, then on the frontier he gives us our

　　service-book as a pass. As a provision for the journey, he takes

　　this or that good deed we have done, and lets it accompany us; and

　　this may be very pleasant or very terrific. Nobody has ever escaped

　　the omnibus journey. There is certainly a talk about one who was not

　　allowed to go- they call him the Wandering Jew: he has to ride

　　behind the omnibus. If he had been allowed to get in, he would have

　　escaped the clutches of the poets.

　　"Just cast your mind's eye into that great omnibus. The society is

　　mixed, for king and beggar, genius and idiot, sit side by side. They

　　must go without their property and money; they have only the

　　service-book and the gift out of the savings bank with them. But which of our deeds is selected and given to us? Perhaps quite a little

　　one, one that we have forgotten, but which has been recorded- small as a pea, but the pea can send out a blooming shoot. The poor bumpkin who sat on a low stool in the corner, and was jeered at and flouted, will perhaps have his worn-out stool given him as a provision; and the stool may become a litter in the land of eternity, and rise up then as a throne, gleaming like gold and blooming as an arbor. He who always lounged about, and drank the spiced draught of pleasure, that he might forget the wild things he had done here, will have his barrel given to him on the journey, and will have to drink from it as they go on; and the drink is bright and clear, so that the thoughts remain pure, and all good and noble feelings are awakened, and he sees and feels what in life he could not or would not see; and then he has within him the punishment, the gnawing worm, which will not die through time incalculable. If on the glasses there stood written 'oblivion,' on the barrel 'remembrance' is inscribed.

　　"When I read a good book, an historical work, I always think at

　　last of the poetry of what I am reading, and of the omnibus of

　　death, and wonder, which of the hero's deeds Death took out of the

　　savings bank for him, and what provisions he got on the journey into

　　eternity. There was once a French king- I have forgotten his name, for

　　the names of good people are sometimes forgotten, even by me, but it will come back some day;- there was a king who, during a famine,

　　became the benefactor of his people; and the people raised up to his

　　memory a monument of snow, with the inscription, 'Quicker than this

　　melts didst thou bring help!' I fancy that Death, looking back upon

　　the monument, gave him a single snow-flake as provision, a

　　snow-flake that never melts, and this flake floated over his royal

　　head, like a white butterfly, into the land of eternity. Thus, too,

　　there was Louis XI. I have remembered his name, for one remembers what is bad- a trait of him often comes into my thoughts, and I wish one could say the story is not true. He had his lord high constable

　　executed, and he could execute him, right or wrong; but he had the

　　innocent children of the constable, one seven and the other eight

　　years old, placed under the scaffold so that the warm blood of their

　　father spurted over them, and then he had them sent to the Bastille,

　　and shut up in iron cages, where not even a coverlet was given them to protect them from the cold. And King Louis sent the executioner to them every week, and had a tooth pulled out of the head of each,

　　that they might not be too comfortable; and the elder of the boys

　　said, 'My mother would die of grief if she knew that my younger

　　brother had to suffer so cruelly; therefore pull out two of my

　　teeth, and spare him.' The tears came into the hangman's eyes, but the

　　king's will was stronger than the tears; and every week two little

　　teeth were brought to him on a silver plate; he had demanded them, and he had them. I fancy that Death took these two teeth out of the

　　savings bank of life, and gave them to Louis XI, to carry with him

　　on the great journey into the land of immortality; they fly before him

　　like two flames of fire; they shine and burn, and they bite him, the

　　innocent children's teeth.

　　"Yes, that's a serious journey, the omnibus ride on the great

　　moving-day! And when is it to be undertaken? That's just the serious

　　part of it. Any day, any hour, any minute, the omnibus may draw up.

　　Which of our deeds will Death take out of the savings bank, and give

　　to us as provision? Let us think of the moving-day that is not

　　marked in the calendar."

　　THE END

　　LastIndexNext

　　Written By Andersonof fire; these were the ideas

　　and thoughts, borrowed from others, which they had used, and which now got free and rushed away like so many fireworks. They played at 'the stick burns,' and the young poets played at 'heart-burns,' and the

　　witlings played off their jests, and the jests rolled away with a

　　thundering sound, as if empty pots were being shattered against doors.

　　'It was very amusing!' my niece said; in fact, she said many things

　　that were very malicious but very amusing, but I won't mention them,

　　for a man must be good-natured, and not a carping critic. But you will

　　easily perceive that when a man once knows the rights of the journey

　　to Amack, as I know them, it's quite natural that on the New Year's

　　night one should look out to see the wild chase go by. If in the New

　　Year I miss certain persons who used to be there, I am sure to

　　notice others who are new arrivals; but this year I